Precious stones from the Bohemian Paradise

The brothers Jan and Václav Fišers from Turnov. Their alleged voyage to Venice, five years of efforts to seize the local secret of secrecy, return to Turnov, dozens of wasted attempts and then - finally success! In 1711 they made the first glass for the production of artificial stones.

THE GLASSHOUSE IN NOVÝ SVĚT

It was in 1712, when Elias Müller built his glassworks on the estate of the Harrach Counts in Jilemnice. It continued in the traditional production of glass, which was produced on the border of the Giant Mountains and the Jizera Mountains in the middle of the 14th century. Even today, you can see not only metallurgical production and blowing glass, but also a hundred-year-old grinding shop. It is driven by a water turbine and transmissions used to distribute the driving force.

ELIAS PALME

Elias Palme, one of the most famous luminaire manufacturers, continued the tradition of chandeliers in Kamenický Šenov. Industrial production of chandeliers was started in 1724 by Josef Palme in Prácheň.

ELDORADO OF BEADS AND SEED BEADS

Surely you would not find in the whole Principle and in the broad surroundings of a person who would say a crooked word about Jan Šourek. After all, it was as if he had come to the Principle of Prosperity and Welfare. As soon as he took possession of the reeve, life in the village began to turn for the better. He was one of the first to venture into the world for business.

JOSEF RIEDEL

Josef Riedel, king of the Jizera Mountains glassmakers, was born in Hejnice in 1816. He was the representative of the sixth generation of the glass family and imprinted his footprint indelibly on the slopes of the Jizera Mountains.

FRIEDRICH EGERMANN

JOSEF PFEIFFER

Josef Pfeiffer - Jablonec entrepreneur and mayor, who was involved in the development of jewelery exports. Everything is confirmed at the imperial court and in 1866 Jablonec became a town during his reign.

BLOWN BEAD and its way to the tree

People can make sense of time and numbers, but not us, beads. However, I have heard that they have been blowing me in the mountains for more than a hundred years. As a bead would put it, that is a long time. You, who have never seen how a bead is born, you don´t know how beautiful life can be....

MELTED GLASS SCULPTURE

In 1920 the first Czech glass school was founded in Železný Brod, thanks to which the town became a center of glass art.

Mapa

Glassmaking meeting with David Vávra

Novotný Glass - Tř. T. G. Masaryka 805, Nový Bor, 47301 | MAPA

Detail


Program

David Vávra will guide you through this exceptional evening. The program of this Glassmaking Meeting will include glassmaking at the glassworks and a lecture with a screening, during which Mr. Vávra will present his glass creations in architecture, produced at the TGK glassworks in Skalice near Česká Lípa.

David Vávra (*1957) is a Czech architect, actor, screenwriter, and popularizer of architecture. He studied architecture at the Czech Technical University and the Academy of Fine Arts in Prague, and since the beginning of his professional career, he has been working at the intersection of professional architectural practice and cultural creation.

He is best known to the general public as the co-founder and prominent figure of the Sklep Theater, with which he has been associated since the late 1970s. It was here that his distinctive style was formed—a combination of irony, exaggeration, civil humor, and the ability to comment on social and cultural topics with detachment.

In addition to his theater work, he has long been involved in architecture and its popularization. He is the author and presenter of several television series, most notably the program Šumná města (Noisy Cities) on Czech Television. In this series, he explores the architecture of Czech and Moravian cities in the 20th century, especially interwar and postwar modernism, always in a broader cultural and historical context.

David Vávra is known for his narrative approach to architecture. He does not perceive buildings in isolation, but as part of the story of a place, people, and time. He is the author and co-author of books, screenplays, and theater projects in which he repeatedly returns to the themes of place memory, city identity, and society's relationship to its own history. Humor in his work does not serve as an end in itself, but as a means of opening dialogue and breaking down barriers between experts and the public.

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